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Friday, October 9, 2026
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Game Review: Band Frontman Jason Williamson Takes On Character in Critical Look at Ecstasy Generation Era

Produced by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one key story turn, but it leads to a comically executed chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

The film releases in UK and Irish theaters from November 17.

The writer

Nicholas Miller

A tech journalist and software developer with a passion for exploring how emerging technologies shape everyday life and business solutions.

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